'Muziekwetenschap' in E-books en luisterboeken

Ludwig Wittgenstein is één van de belangrijkste denkers uit de 20e eeuw en zijn filosofische werk omvat vrijwel het hele menselijk denken en handelen, met nadruk op de logica. Weinig mensen echter weten dat muziek een hoofdrol speelde in zijn leven. H...

Hoe maken we iets uit niets? Door te improviseren. Iedereen kan het. Maar waarom kan de een gemakkelijker improviseren dan de ander? Toekomstmuziek is een lofzang op ons oermenselijke vermogen tot improvisatie. Improviseren wordt vaak in de eerste plaat...

"Truth happens to an idea." So wrote William James in 1907; and twenty-four years later John Dewey argued that artistic experience entailed a process of "doing and undergoing." But what do these ideas have to do with music, or with research conducted in...

The practices and perception of music creation have evolved with the cultural, social and technological contexts of music and musicians. But musical authorship, in its many technical and aesthetic modes, remains an important component of music culture....

Music reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity "in" music - how music expresses...

The Orpheus Institute celebrates 20 years of artistic research in music. Artistic research in music is now at a generational stage of development. How should it deal with its own maturing? From a kaleidoscope of individual pursuits, ethos and methodolog...

The process of practising is intrinsic to musical creativity. Practising may primarily be thought of as technical, but it is often also musically meaningful, including elements of interpretation, improvisation, and/or composition. The practice room can...

Essential reading for anyone interested in artistic research applied to music. This book is the first anthology of writings about the emerging subject of artistic experimentation in music. This subject, as part of the cross-disciplinary field of artisti...

Our contemporary, globalised society demands new forms of listening. But what are these new forms? In Listening to the Other, Stefan Östersjö challenges conventional understandings of the ways musicians listen. He develops a transmodal understanding o...

The concept of assemblage has emerged in recent decades as a central tool for describing, analysing, and transforming dynamic systems in a variety of disciplines. Coined by Deleuze and Guattari in relation to different fields of knowledge, human practic...