Being gay, being straight and being yourself : local and global reflections on identity, authenticity and the lesbian and gay scene

M. Holt, C. Griffin

Authenticity or `being true to the self' continues to be a culturally valued quality despite (or perhaps because of) the increasing fragmentation of identities in contemporary culture. Focusing on accounts of the lesbian and gay `scene' of bars and clubs in Birmingham, UK, we discuss how young people employ a discourse of authenticity when talking about leisure. In our interview material, the scene is privileged as a space to be authentic (somewhere to `be yourself'), particularly for lesbian and gay subjects, but also for heterosexual `visitors'. Through a discursive analysis, we elaborate on the contradictions inherent in these constructions of authentic spaces and identities, widening our discussion to consider how the articulation of authenticity in the local context of Birmingham can be seen as part of a broader discourse of authenticity circulated in an increasingly globalized consumer culture.

specificaties

  • Tijdschrift
  • Engels

praktische informatie

Boekcode
IHLIA Homodok copie niet uitleenbaar
Taal publicatie
eng [Engels]
Hoofdtitel
Being gay, being straight and being yourself : local and global reflections on identity, authenticity and the lesbian and gay scene
Algemene materiaalaanduiding
18 [Tijdschriftartikel]
Eerste verantwoordelijke
Martin Holt and Christine Griffin
Annotatie
In: European Journal of Cultural Studies; vol./jrg.:
Bibliografische annotatie - Publicatiedata
6 (2003), nr. 3 (aug), pp. 404-425
Auteur Achternaam
Holt
Auteur Voornaam
M.
Auteur - secundaire - Achternaam
Griffin
Auteur - secundaire - Voornaam
C.
Prod country
usa
Samenvatting - Tekst
Authenticity or `being true to the self' continues to be a culturally valued quality despite (or perhaps because of) the increasing fragmentation of identities in contemporary culture. Focusing on accounts of the lesbian and gay `scene' of bars and clubs in Birmingham, UK, we discuss how young people employ a discourse of authenticity when talking about leisure. In our interview material, the scene is privileged as a space to be authentic (somewhere to `be yourself'), particularly for lesbian and gay subjects, but also for heterosexual `visitors'. Through a discursive analysis, we elaborate on the contradictions inherent in these constructions of authentic spaces and identities, widening our discussion to consider how the articulation of authenticity in the local context of Birmingham can be seen as part of a broader discourse of authenticity circulated in an increasingly globalized consumer culture.

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