Queer times, black futures / Kara Keeling

Kara Keeling

Queer Times, Black Futures considers the promises and pitfalls of imagination, technology, futurity, and liberation as they have persisted in and through racial capitalism. Kara Keeling explores how the speculative fictions of cinema, music, and literature that center black existence provide scenarios wherein we might imagine alternative worlds, queer and otherwise. In doing so, Keeling offers a sustained meditation on contemporary investments in futurity, speculation, and technology, paying particular attention to their significance to queer and black freedom. Keeling reads selected works, such as Sun Ra's 1972 film Space is the Place and and the 2005 film The Aggressives, to juxtapose the Afrofuturist tradition of speculative imagination with the similar "speculations" of corporate and financial institutions. In connecting a queer, cinematic reordering of time with the new possibilities technology offers, Keeling thinks with and through a vibrant conception of the imagination as a gateway to queer times and black futures, and the previously unimagined spaces that they can conjure.

specificaties

praktische informatie

ISBN Nummer
9780814748336
Boekcode
IHLIA Homodok cat. (keeli-k/que) b # ODE3 niet uitleenbaar
Taal publicatie
eng [Engels]
Hoofdtitel
Queer times, black futures
Algemene materiaalaanduiding
2 [Boek]
Eerste verantwoordelijke
Kara Keeling
Plaats van uitgave
New York, NY
Jaar van uitgave
2019
Pagina's
xv, 273 p
Serietitel
Auteur Achternaam
Keeling
Auteur Voornaam
Kara
Prod country
usa
Samenvatting - Tekst
Queer Times, Black Futures considers the promises and pitfalls of imagination, technology, futurity, and liberation as they have persisted in and through racial capitalism. Kara Keeling explores how the speculative fictions of cinema, music, and literature that center black existence provide scenarios wherein we might imagine alternative worlds, queer and otherwise. In doing so, Keeling offers a sustained meditation on contemporary investments in futurity, speculation, and technology, paying particular attention to their significance to queer and black freedom. Keeling reads selected works, such as Sun Ra's 1972 film Space is the Place and and the 2005 film The Aggressives, to juxtapose the Afrofuturist tradition of speculative imagination with the similar "speculations" of corporate and financial institutions. In connecting a queer, cinematic reordering of time with the new possibilities technology offers, Keeling thinks with and through a vibrant conception of the imagination as a gateway to queer times and black futures, and the previously unimagined spaces that they can conjure.

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