There Are No Homosexuals in Iran

L. Rasti

While most Western nations now officially accept homosexuality, in Iran it is still punishable by death. The only options for a homosexual in Iran are to choose transsexuality, which is tolerated by law, or to flee. The subjects of Iranian photographer Laurence Rastis (b. 1990, Geneva) elegant hardcover photo book live in the small Turkish town of Denizli, where hundreds of gay Iranians are waiting to move to a tolerant country. Rasti explores concepts of beauty, identity and gender in her spare and evocative images set in landscapes, mundane settings and street scenes, creating a new language of camouflage and discretion. Underlining the contrast between conspicuousness and obscurity, Rastis couples hide behind eye-catching props such as balloons or flowers or are glimpsed behind trees or bushes. She hides her subjects in plain sight, referencing the experience of these individuals who do not exist in Iran. Rasti was the Aperture Portfolio Award Finalist and Magnum Photo Award Jurors Pick (2016).

specificaties
  • Boek
  • Frey
  • [156] p: ill

praktische informatie

ISBN Nummer
9783906803388
Boekcode
IHLIA Homodok cat. (rasti/the) bb niet uitleenbaar
Taal publicatie
eng [Engels], fas [Farsi]
Hoofdtitel
There Are No Homosexuals in Iran
Algemene materiaalaanduiding
2 [Boek]
Eerste verantwoordelijke
Photographs and texts: Laurence Rasti ; translation: Sara Shaban-Azad
Plaats van uitgave
Zürich
Uitgever
Frey
Jaar van uitgave
2017
Pagina's
[156] p
Collatie - Illustraties
ill
Auteur Achternaam
Rasti
Auteur Voornaam
L.
Prod country
zwitserland
Samenvatting - Tekst
While most Western nations now officially accept homosexuality, in Iran it is still punishable by death. The only options for a homosexual in Iran are to choose transsexuality, which is tolerated by law, or to flee. The subjects of Iranian photographer Laurence Rastis (b. 1990, Geneva) elegant hardcover photo book live in the small Turkish town of Denizli, where hundreds of gay Iranians are waiting to move to a tolerant country. Rasti explores concepts of beauty, identity and gender in her spare and evocative images set in landscapes, mundane settings and street scenes, creating a new language of camouflage and discretion. Underlining the contrast between conspicuousness and obscurity, Rastis couples hide behind eye-catching props such as balloons or flowers or are glimpsed behind trees or bushes. She hides her subjects in plain sight, referencing the experience of these individuals who do not exist in Iran. Rasti was the Aperture Portfolio Award Finalist and Magnum Photo Award Jurors Pick (2016).

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