How lesbian artists support their art

T. Corinne

This essay examines how lesbian artists from Great Britain, Belgium, Australia, New Zealand, Canada, and the USA have supported their work through a variety of jobs from waitressing to college teaching. Social security, unemployment compensation, family-of-origin assistance, and independent incomes are discussed along with photography as an income-producing skill. Some women felt more comfortable discussing blue-collar jobs than family assistance. The closet remains a necessity for artists who have reached the greatest mainstream success. Although lesbian periodicals have seldom offered money, they have been significant in building audiences for lesbian-themed art and self-esteem in lesbian artists. Finally, the makingof art is discussed as a supportive and healing activity.