Courage in the telling : the critical rise and fall of David Leavitt

D. Shannon

Openly gay American fiction writer David Leavitt, who had received positivereviews for his previous novels and short story collections, was sued in 1993over his novel While England Sleeps by English poet Stephen Spender, who claimed that Leavitt plagiarized an episode from his own 1951 memoir World Within World, and grafted pornographic fantasies onto his biography. The accusations created a homophobic backlash against Leavitt, whose career has yet to recover fully. The result is that Leavitt, who had once been viewed as the one gay writer to find a footing in the mainstream literary community, is now firmly positioned in the gay literary subgenre and his work categorized as such. This essay examines book reviews in order to illustrate the difficulties that a writer who deals with gay life "frankly and unapologetically" finds in being accepted by the mainstream literary establishment, no matter how "normal" or assimilationist he or others might perceive his work to be

specificaties

  • Tijdschrift
  • Engels

praktische informatie

Boekcode
IHLIA Homodok ts. niet uitleenbaar
Taal publicatie
eng [Engels]
Hoofdtitel
Courage in the telling : the critical rise and fall of David Leavitt
Algemene materiaalaanduiding
18 [Tijdschriftartikel]
Eerste verantwoordelijke
Drew Patrick Shannon
Annotatie
In: International Journal of Sexuality and Gender Studies; vol./jrg.:
Bibliografische annotatie - Publicatiedata
6 (2001), nr. 4, pp. 305-318
Auteur Achternaam
Shannon
Auteur Voornaam
D.
Prod country
usa
Samenvatting - Tekst
Openly gay American fiction writer David Leavitt, who had received positive, reviews for his previous novels and short story collections, was sued in 1993, over his novel While England Sleeps by English poet Stephen Spender, who claimed that Leavitt plagiarized an episode from his own 1951 memoir World Within World, and grafted pornographic fantasies onto his biography. The accusations created a homophobic backlash against Leavitt, whose career has yet to recover fully. The result is that Leavitt, who had once been viewed as the one gay writer to find a footing in the mainstream literary community, is now firmly positioned in the gay literary subgenre and his work categorized as such. This essay examines book reviews in order to illustrate the difficulties that a writer who deals with gay life "frankly and unapologetically" finds in being accepted by the mainstream literary establishment, no matter how "normal" or assimilationist he or others might perceive his work to be

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