
The castrati in opera / Angus Heriot
Angus Heriot
The period when the castrati, male eunuch singers, were the toast of Europe, was probably the richest period of opera history in both terms of works produced and performed, and of public enthusiasm. The origins of the use of male singers with a female vocal range is shrouded in mystery, but the reign of the castrati was a long one and with their decline the art of bel canto singing declined too.
aanwezig in 1 locaties
specificaties
- Boek
- Engels
- Calder and Boyars
- 243, [7] p: ill
- Opera library
praktische informatie
Boekcode
IHLIA Homodok cat. (herio/cas) b niet uitleenbaar
Taal publicatie
eng [Engels]
Hoofdtitel
The castrati in opera
Algemene materiaalaanduiding
2 [Boek]
Eerste verantwoordelijke
Angus Heriot
Plaats van uitgave
London
Uitgever
Jaar van uitgave
1976
Pagina's
243, [7] p
Collatie - Illustraties
ill
Serietitel
Auteur Achternaam
Heriot
Auteur Voornaam
Angus
Prod country
uk
Samenvatting - Tekst
The period when the castrati, male eunuch singers, were the toast of Europe, was probably the richest period of opera history in both terms of works produced and performed, and of public enthusiasm. The origins of the use of male singers with a female vocal range is shrouded in mystery, but the reign of the castrati was a long one and with their decline the art of bel canto singing declined too.
Opmerkingen - Tekst
Originally published: London : Secker and Warburg, 1956. - Bibliogr.: p. 229-232. - Contents: Rise and fall of the castrati -- Causes of the castratie's supremacy -- Life and times of the castrati -- Theatrical conditions -- Careers of some well-known castrati -- The story of one castrato
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